This thesis explores the shocking transformation of King Lear in Edward Bond's adaptation of Shakespeare's tragedy. By employing a Freudian psychoanalytic lens, the study delves into the psychological depths of Lear's character, unraveling repressed desires, unresolved conflicts, and the profound influence of familial relationships on his mental state. The research aims to contribute to a deeper understanding of character transformation, particularly in the context of Bond's innovative portrayal. The study begins with an overview of Bond's adaptation, highlighting the departure from tradition and the incorporation of Freudian psychoanalytic theories. Lear's paradigm shift is examined, presenting him not as a victim of external circumstances but as a product of internal conflicts. The Freudian lens reveals a profound internal struggle as Lear's primal instincts clash with societal constraints, resulting in his shocking transformation. The thesis employs qualitative research methodology, including library research, content analysis, and a descriptive-critical approach. Data collection and analysis involve selected sources that contribute to the understanding of Lear's psychological transformation. The study addresses four thematic concepts: descent into madness, inner turmoil and betrayal, trauma within, and resonating symbols. The study concludes with a summary and conclusions, highlighting the significance of the findings in terms of literature, psychological depth in characters, cultural adaptation, interdisciplinary dialogue, and contemporary relevance. Overall, this thesis contributes to the fields of theatrical scholarship, literary and cultural studies, and offers an enhanced appreciation of Bond's artistic vision. It invites readers to explore the complexities of character transformation and the intersection of literature and psychoanalysis.
