This study undertakes a comparative ecofeminist analysis of Virginia Woolf’s To The Lighthouse and Simin Daneshvar’s Island of Bewilderment and The Bewildered Cameleer. Through a nuanced examination of these literary works, it explores the intricate interconnections among women, nature, and patriarchal cultural structures within English and Persian contexts, analyzes the narratives, interprets the symbolic motifs such as nature and paintings, analyzes the discourse between men and women, and exploring the intersections of genders. The analysis reveals how both authors symbolically represent nature as a conduit for women’s emotional journeys and personal growth, while simultaneously critiquing the oppressive forces of patriarchal ideologies that subjugate women and the environment. Characters like Lily Briscoe and Hasti emerge as emblems of resistance, challenging societal norms and redefining their identities beyond the confines of traditional gender roles. The novels also highlight the pervasive influence of patriarchal structures within cultural traditions and celebrations, perpetuating gender stereotypes and marginalizing women’s voices. However, the narratives offer alternative perspectives by portraying women as embodiment of “Mother Nature,” possessing inherent strength, resilience, and a profound connection to the natural world. This ecofeminist lens challenges the binary opposition between culture and nature, advocating for a harmonious coexistence that recognizes the interdependence of all life. Ultimately, this comparative analysis contributes to the ongoing discourse on ecofeminism, gender studies, and environmental justice, underscoring the urgency of addressing the intertwined oppression of women and nature within patriarchal societies
