This thesis examines the representation of masculinity in Charles Dickens’ Nicholas Nickleby through the lens of R.W. Connell’s theory of masculinity. It argues that while the novel reflects the dominant hegemonic masculinity of Victorian England, it also subversively portrays characters who challenge these norms. By analyzing the character of Nicholas Nickleby, the study explores how individual agency, emotional intelligence, and societal pressures intersect to shape male identity. Particular attention is paid to father-son relationships as formative influences on masculinity within the Victorian context. The findings reveal that Nicholas Nickleby offers a complex and critical exploration of masculinity, demonstrating the fluidity and diversity of male experiences. The novel challenges rigid gender roles and underscores the importance of empathy and compassion in constructing alternative masculinities. By illuminating the complexities of male identity in a historical context, this thesis contributes to ongoing debates about masculinity, advocating for a more inclusive and nuanced understanding of gender.
